…As I recall, did I first stare
into the heaven of those precious eyes
in which, o trap me, Love had set his snare;
then turned, and turning felt my senses reel
as my own were struck by what shines in that heaven
when we look closely at its turning wheel.
I saw a Point of light
Of such intensity that the eye it strikes
Must close or ever after lose its sight.
- Para XXVIII, 10-18
There I will meet with you, and from above the mercy seat,
from between the two cherubim that are on the ark of the testimony,
I will speak with you about all that I will give you in commandment
for the people of Israel.
- Exodus 25: 22 (ESV)
But,” he said, “you cannot see my face, for man shall not see me and live.”
And the LORD said, “Behold, there is a place by me where you shall stand on the rock,
and while my glory passes by I will put you in a cleft of the rock,
and I will cover you with my hand until I have passed by.
Then I will take away my hand, and you shall see my back,
but my face shall not be seen.”
- Exodus 33:20-23 (ESV)
So, our pilgrim and Beatrice have arrived at the “Primum Mobile,” the largest sphere, and are coming ever closer to “The Face of God“:
- the Face which Moses could not bear to look upon directly;
- the Face which had to take upon itself a human form to address mankind’s deficiencies.
- That which had to undergo degradation, death and resurrection in order to make Himself fully accessible to we unworthy humans.
And we return to our first encounter with that light, during the First Canto:
“Just as we would never stare at the sun (here I’m remembering … the solar eclipse of 1972 … and our mothers’ warning never to stare directly at it), Dante does just that. Beatrice can look at it, no problem. Somehow that Dante reflexively imitates her action (a “reflection” of her action) and does not go blind (which) indicates that something has already changed in him: he is capable of seeing ‘it’ …” (See above: “The Still Point of the Turning World” by jeffvamos)
Up front and close, we are confronted with “The still point of the turning world. “
Once again, Dante first sees The Face first in a “glass darkly,” via reflection in his beloved’s eye.
The spark of light is so intense he still cannot truly bear it on his own.
But as Beatrice explains to him the angelic orders that orbit this light, he “begins” to understand what he beholds here.
He is ‘seeing’ “the “Holy of Holies,” surrounded by the nine orders of adoring angels.
And, how does our Pilgrim come to grips with this ultimate reality?
This reality which is so far beyond our human senses and feeble comprehension?
Only through the use of metaphors.
With the aid of his lady, he beholds the ethereal essence, but he can only describe it through metaphors, and through his own grasp of the abstract, using mathematics.
This all came to mind, as my wife Judy and I visited the Amish/ Mennonite country in Lancaster, PA, this past week. As I began to reflect on many different ways of understanding and worshipping God.
When we viewed the reconstruction of the Tabernacle of the Ark of the Covenant there, the image of the Temple Curtain being torn asunder on the day of the Crucifixion flashed before me.
Why was there a curtain at all ?
Why was it no longer needed after the resurrection?
Well, we are told God had had to shield mankind from His “terrible aspect” before Christ. He shielded us from Himself, the Shekeinah (The Spirit of the Lord), within the Tabernacle.
But God made flesh, and sacrificed, enabled us to known Him in a different way.
So, now We are back to paradoxical thought.
Back to the essential paradox for all Christians; to the Three-in-one – the Trinity.
Dante understood these paradoxes.
Or, rather, he understood that he could only understand through faith.
The best he could do in order to convey his understanding(s) was to use metaphors - the blinding light, spherical magnitude, the speeding orbits.
And, even there, he had to explain that everything in heaven (anywhere near God – oh, yes, even here) had to be stood on its head to BEGIN to comprehend.
Hence the reference to the chessboard problem [Near infinity; The number obtained is "2 to the power 63, plus one" (based on the 64 squares on the board)], to represent infinity for our weak minds.
Hence the angels orbiting God in reverse order and speed and size to what we would expect on earth. Hence the need for Beatrice to explain, still again, what Dante thinks he is “seeing.”
So Seraphim, and cherubim, and Thrones (in the first triad of spheres), right down to the “lowly” angels and archangels that sometimes rub shoulders with us, have their place.
But, it takes metaphors and mathematics just to begin to convey the almighty glory of Paradise wherein God meets us. There. Here? Hmmmm…